The language of my works is autonomous and silent, able to transmit a message without written explanations, conceptual discourse, title, and without the author.
The representation of man is used for two reasons: to be one universal and understandable form, and to be the most worthy, deep and complex subject of art. When I say man I mean also woman, body and spirit.
I seek a living expression, the result of own life experience and a way to understand my time. A known language is used, which uses plastic values such as weight, composition and movement, to give life to the raw material.
Sculpture does not wish to seduce with bright colours, but wants the spectator to fall in love.